Materials

Brass dipped in a pool for a deeper/darker appearance and then polished for a glossy look.

Brass that has undergone oxidation and polishing. The special technology creates swirls that give the illusion of constant motion.

Abstract drops created by black burning, reminiscent of an ink blob that spreads. Can be produced in different levels of intensity and size as requested. A technique favored by architects. The process is complex and includes 4 layers of texture and different polishes. During the fourth layer, the effect of drops is used. (Eric Aviv’s desk is made of this material).

The shade is like rusty iron. Brass that is browned and polished for a slightly coarse yet silky look. Architects like this shade as it is reminiscent of antique bronze.

The raw material is blackened in a chemical process. Using a complex technique that combines brushing in long and diagonal shapes with a brass brush, a three- dimensional look is created.

A charcoal-grey color is produced as a result of a very accurate and measured process of browning and burning. This special shade is well-liked by many architects.

A complex and unique technology which produces a reflective mirror effect. The unique procedure consists two layers of the same raw material: one layer in a matte finish and the other in a glossy finish. A play of varying colors can be obtained from matte to glossy. This special technology was developed by SIGMENT.

The material underdoes a longer browning process in a high-temperature furnace for a champagne hue and a silky look. The material undergoes 3 stages of polishing.

Brass that undergoes 2 stages of polishing to provide the metal with a special texture and the appearance of an uneven surface. In the second stage, the brass undergoes browning in a high-temperature furnace and the third stage includes polishing the material two more times.

Refined looking brass by polishing, using a brushing technique that produces a dense and refined texture that seemingly stretches the brown and provides it with a kind of continuity.

Brass in various shades created by browning produced when the material moves on a band and the heat dissipates in a non-uniform manner.

The material undergoes the same type of polishing as does the browned brass except that in this process an exact brownie brown shade is created.

Brass with a slight black undertone. This soft texture is the result of reduced polishing.

Burning followed by 3 polishing stages which provide a brushed texture. A slight black undertone is obtained from the chemical burning.

Brass with a slight black undertone. This soft texture is the result of reduced polishing.

Total blackening by chemical burning after which a polishing stone and crude brass combs are used to create the coarse texture of horse hair.

Blackened brass that includes grey charcoal shades, after which in a special process circles within circles are created like a time tunnel or the vinyl records of days gone by.

Painting on metal is now possible because of advanced technology and it offers architects many options in creating graphic and other designs. This unique technology was developed by SIGMENT.

Because it is a shiny material, when the surface is processed unusual shades are produced which contrast with the brilliance of the material.

Stage 1- bath burning by hand for a black look. Stage 2-polishing by combining stencils to create the tiger-stripe look.

Three polishing stages with fine, medium or coarse polishing paper in order to receive a delicate and bright hue.

Partial burning of material and 4 polishing stages. Final polish is done with stainless steel combs in order to receive the appearance of horse hairs. This is one of the most loved and sought-after finishes by architects and designers.

Chemical burning in three moving directions creates an extremely dynamic look. The process includes blackening, brushing longwise and additional gentler brushing at an angle. The brushing is subtle and not visible from every point of view. The look is intense depending on the angle from which it is viewed, which is what makes this look charming : light and shade, glossy and matte, etchings in various angles.

Red copper with an additional 50% of gloss to create a slightly hazy look. This material allows for an interesting play in designs when used for cladding. When the surface is wide reflected lighting or furniture creates a spectacular look.

Aluminum that is polished using a unique technique that produces a shiny matte and corrugated appearance.

Aluminum that undergoes a blackening process which combines oxidation followed by brushing for a shiny and exciting look. Aluminum is cheaper than brass, is two thirds lighter, and when it undergoes chemical processes the results are truly astounding.

Aluminum in a concrete/ sand-like appearance. Coarse polishing produces larger black stains.

A hand technique that produces a cloudy look. The material is whipped with a cloth that has been dipped in oxidation, and the random stains produce a cloudy look, similar to polished concrete.

Grey aluminum that looks like fine concrete. The processing material is left on the surface of the

Grey aluminum that looks like delicate-type concrete. It is polished in a way which produces a delicate black for a very special look.

Aluminum in a concrete/ sand-like appearance. Coarse polishing produces larger black stains.

A special circular technology which provides a dynamic look. The result: swirls that show movement . The material can be used as wall and ceiling cladding and as a raw material for decorative items and furniture.